Editor's Note

By Buku Sarkar

The KGB Bar and Reading Room was my home away from home in college—you could even say I grew up there. Which is why, years later, this opportunity to guest edit the journal is all the more special to me.

In some ways, the theme of the issue felt a bit like cheating. The dilemma lay in trying to produce something that involved writers I’ve read and long admired along with what I believe is the role of any good journal: to give platform to new voices. So, to ask the writers I admire, who are established in the craft, to share with us the works of new voices that they have been mesmerized by, whom they feel the world should know, felt like the most logical thing in the world. It also left little work to do on my part.

I was somewhat surprised to see the diversity of writers in Voice, because it wasn’t something I was conscious about when making the selections. Living in New York, I’ve always been fortunate enough to be able to forget where I come from, what my gender is. I still believe, in my utopia, that should be the case. My aim here was to showcase hidden jewels, irrespective of everything else. As luck would have it, when you look for something different and special, you, by default, look everywhere—under every pillow.

I am humbled and taken aback by the work we have published here. Putting this issue together reminded me of how much talent and incredible work there is out there, outside our radar. Beauty never ceases.

So here is an issue that brings you voices you have possibly never heard of but should know about—beautiful, melancholic, brutal and strong.

Buku Sarkar is a writer and photographer who has grown up and lived between Calcutta and New York. Her written work has appeared in n+1, Threepenny Review, Raleigh Review and elsewhere. Her photographs have been exhibited at ICP and Art Basel Miami. She is currently working on stories about Indians in New York.